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He worked primarily in two radically different materials, wood and polyester resin.

His polyester resin pieces seem to belong on a pedestal or table, where they can be closely scrutinized.

For this reason there is no signature “Refractional.”Made more than 50 years ago, “Refractional #1” (1965, polyester resin, 7 3/8 by 6 5/8 by 3 5/8 inches), still looks fresh.

Amino began using polyester resin in the 1940s.

The piece that took my breath away is “Composition #25” (1952, polyester resin and wood, 12 by 17 by 1 1/8 inches).

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